Big Freedia’s Giving N.O. Bounce to the World

Photo courtesy of artvoice.com

Photo courtesy of artvoice.com

Big Freedia (pronounced “FREE-da”) represents New Orleans in many ways.  New Orleans’ history is a mix of many cultures and ethnicities, where Africans (both free and slaves), Native Americans, French and other European natives – all intermingled in one. This diversity has been expressed through the years with a wide variety of foods, art, and architecture and of course music that has the city with amazing vibes and a wonderful atmosphere. It’s like a 24 hour party just inviting you to take it all in. Big Freedia is kind of the same.

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African Origins of Twerking

 

Image courtesy of Afriky Lolo

Image courtesy of Afriky Lolo

Urban dictionary defines twerking as “rhythmic gyrating of the lower fleshy extremities in a lascivious manner with the intent to elicit sexual arousal or laughter in ones intended audience.” Recently, twerking has received considerable notoriety, thanks to a much (much, much) discussed awards show performance by pop star Miley Cyrus. The incident is a sad reminder that much of White America’s knowledge of Black culture comes through media imagery. In Cyrus’s case, that imagery includes parading around using Black women as props, in a misguided attempt to shed her Disney Channel roots and acquire some “street cred.” What has been lost in many of these conversations about Cyrus, twerking and perceptions of Black culture in the U.S. is the extent to which dances like twerking are deeply ingrained in African and Afro-diasporic history and traditions.

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