Confronting a particular idea within the African Diaspora can be problematic in many ways. While certain concepts and themes are communicated across the wide and diverse scope of writers, which have enriched the continent with intuitive and poignant works, there always runs a risk of coming across as reductive and assimilative. In mingling several identities into one collective, which parts of the West continue to do, some may fail to recognize Africa as a continent composed of several unique societies rather than one country. While several artists across the diaspora have embraced a strong sense of African unity and solidarity in revolt against colonialism and forged an identity, ideas of self-image on a micro scale continue to be problematic, not only within international boundaries, but regional ones as well. Particularly for women, ideals of feminism and liberation are suddenly divided by preconceived notions of race and class, an issue which is extremely present today in the Western hemisphere. This is particularly crucial in Assia Djebar’s renowned work, Women of Algiers in their Apartment, as notions of gender, nationalism, and othering become focal points of contemplation for the female protagonists.
Strong Hearts, Weak Perceptions: The Idea of Identity in Djebar’s Women of Algiers in their Apartment
Posted by Progressive Pupil on October 29, 2014
Those who study Puerto Rico are familiar with the phrase La nación en vaivén (Nation on the move). This phrase described the Puerto Rican diaspora, how Puerto Ricans would move “back and forth” between the Caribbean island, the United States and elsewhere.
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Posted by Progressive Pupil on October 27, 2014
The song in this video is an AfroCuban lullaby called “Drume Negrita.” In the song, an AfroCuban mother is trying to sing her baby daughter to sleep. She tells her baby that if she goes to sleep, she’ll buy her a new crib with a cap on it and a bell. I heard this song a lot growing up; when my father was feeling especially nostalgic for home he would sing “Drume Negrita” to himself. In an effort to connect his kids to their culture, he would share little bits of information about the song with us from time to time to help us understand its cultural significance. Like the fact that pronunciation in the song was bit different from standard Spanish because it was sung in an AfroCuban dialect—so “Duermes” turned into “Drume.”
Posted by Progressive Pupil on October 24, 2014
“Pretty. Period.” is a trans-media project created as a visual tribute to brown skin. The blog features portraits submitted by women who see themselves as part of the movement, it also includes contributions from photographers all over the world. Doctor Yaba Blay‘s project is a response to the current colorism dialogue, celebrating beauty in every shade. Dr. Blay’s states, “While there is so much to say when it comes to dark-skinned beauty, I really want to focus on the PERIOD in ‘Pretty. Period.’ No explanations. No defense. Just pretty.”
Posted by Progressive Pupil on October 17, 2014
Simultaneously, on opposite ends of the world, protests in Ferguson, Missouri and Hong Kong, a special administrative region of China, signify the ground zero of polarized political movement—the demand for democracy upheld by civil and human rights. The movements in Ferguson and Hong Kong are primarily youth-led and organized, a focal point not lost in media and supporters of radical struggle. Their objectives dictate a call to accountability and action. Sparked by the killing of unarmed African American 18-year-old Michael Brown in August, activists in Ferguson have engaged in ongoing protests to counter police bias and violence against Blacks and Latinos. In the wake of a succession of unjust murders at the hands of law enforcement officers, organizations are leading the way to reform in Ferguson including The Organization for Black Struggle, Hands Up United, and Millennial Activists United, among a host of social, political and religious supporting allies.
Posted by Progressive Pupil on October 14, 2014
Is freedom merely enough? That was a question for most Black people in the United States in 19th and 20th centuries. Harlem had become the destination for most African Americans in the early 1900s. They were looking to find a way to achieve equality and civil rights. With a stronger community in Harlem, Black residents started a movement in 1910 to fight for their American rights. Uniquely, this movement was inspired by various works by Black artists: Three Plays for a Negro Theater, Claude McKay’s If We Must Die, poems by Langston Hughes, and others.
Posted by Progressive Pupil on October 13, 2014
What is Afrofuturism?
In 1909 Filipo Tommaso Marinetti launched the Italian Futurist movement in his Futurist Manifesto. Among its many principles, FT Marinetti and his fellow futurists sought to make people producers of their society rather than just consumers. They were obsessed with the idea of stretching the imagination, robots, technology and war. They wanted to destroy libraries, schools, museums, and all history in hopes that society would cleanse itself.
Posted by Progressive Pupil on October 10, 2014
Progressive Pupil is looking forward to celebrating the autonomy of Indigenous Peoples in November and we need your help! Artists, teachers, activists, local business leaders, we want to hear your stories about working for racial justice in your community and share your struggles and triumphs with our readership. Essays, photo journals, film reviews and creative fiction are all welcome. Please limit submissions to 750 words or less and include at least one photo or video. Send submissions to: email@example.com
Posted by Progressive Pupil on October 8, 2014